THE Hong Kong art market is strong and prosperous, buoyed by low taxes and free of the censorship that inhibits much of the art on the mainland. But the local scene has long felt overshadowed by the big-name Chinese contemporary artists. So many were jittery at the opening today of the inaugural Art Basel Hong Kong, concerned that an influx of big galleries […]
LYDIA DAVIS makes for an inspiring choice for the Man Booker International prize, awarded last night in London*. Though she is hardly a household name, her work has been disproportionately influential and enjoys a devoted following. She is best known for her short stories, which are crisp, spare, incisive and slyly funny. They tend to be very short—a couple […]
THE insistent groan of an industrial cherry-picker made for an odd siren song at the Royal Academy of Art over the weekend. Casual strollers wandered into the plaza, their curiosity piqued by the small army of construction workers unfurling and hanging a tapestry-like artwork across the façade of the RA’s Burlington House. “It reminds me of Klimt,” said one […]
THE exquisite art collection of Sir Robert Walpole, Britain's first prime minister, was sold to Catherine the Great nearly 250 years ago. This summer it is on loan to its original home
STATE propaganda is easy to spot. From leaflets dropped behind enemy lines to other bald appeals to flag and country, government attempts to sway public opinion often seem laughably obvious—at least in hindsight. Yet quite a lot of national pride-mongering is a bit more subtle—and more effective, and perhaps more troubling—than we like to admit. This at leas […]
IT WAS bound to be a disaster. For weeks New York society had been working itself into a tizzy about the theme for the 2013 Met Ball: punk. Designed to draw attention to the Metropolitan Museum of Art's new exhibition “Punk: Chaos to Couture”, the Met's annual sartorial gala promised a frothy mess of leather and lace concoctions on pilates-toned li […]
WHEN a trailer for Baz Luhrmann’s “The Great Gatsby” was released last year, aficionados of F. Scott Fitzgerald’s masterpiece wasted no time in complaining about how fast, flashy and altogether Baz-Luhrmann-ish it was. Such sceptics won’t be placated by the film itself. As we might have expected from the director of “Strictly Ballroom” and “Moulin Rouge”, hi […]